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Jason is tweeting about an upcoming interview between Tucker Carlson and Hunter Biden scheduled for Monday. The post suggests surprise or concern about this development, framing it as part of an escalating news cycle.
- Tucker Carlson announced he will interview Hunter Biden on Monday.
- A tweeter reacted to the news by calling the current news cycle "wild."
Scott Myers interviews Justin Kremer about his original screenplay “McCarthy,” which made the 2012 Black List. Kremer discusses the thrill of the recognition and how writing evolved from childhood sports journals to a passion for film.
- Justin Kremer's script "McCarthy" made the 2012 Black List, landing him representation and unexpected career opportunities.
- His writing habits trace back to childhood sports journals about the Yankees and wrestling before a high-school film class redirected him toward screenwriting.
- He attended Temple for undergrad and Drexel for a graduate film program, making a short film called "Interface" along the way.
- He wrote and polished "McCarthy" during breaks from law school, and after graduating sold a sci-fi TV pilot, though "McCarthy" remains his signature calling-card script.
Scott Myers talks with Sarah Jane Inwards about her journey from growing up in Rochester, Minnesota, to writing “Jellyfish Summer,” which won the 2017 Nicholl Fellowship and landed on the Black List. They discuss her screenwriting process and what the awards have meant for her career.
- Sarah Jane Inwards won the 2017 Nicholl Fellowship (including a $35,000 prize) and landed on the 2017 Black List for her script "Jellyfish Summer," a drama about a troubled teen healing at her grandparents' Lake Superior cottage.
- The awards opened doors to agency meetings, manager interest, and calls from mid-level studios, but also raised expectations that make her treat every draft as a fresh challenge.
- She cited Pixar's "Inside Out" as a personal touchstone, particularly because protagonist Riley's Minnesota roots resonated with her own background and moved her emotionally.
In this Channel 5 clip, Andrew reveals which past interview he enjoyed most and explains what made it stand out. He shares behind-the-scenes anecdotes and highlights from that conversation.
- The provided content contains no actual transcript or details about the interview—only a note that the video couldn't be accessed
- No specific claims, anecdotes, or highlights from Andrew's favorite interview are available in this text
In the final moments of his sit-down with Piers Morgan, Russell Brand grew defensive and refused to answer questions about the Bible passages he referenced in court. The clip shows Brand pushing back and ultimately “melting down” when pressed on his born-again Christian claims.
- Piers Morgan repeatedly pressed Russell Brand to name specific Bible passages he'd been reading, and Brand refused to answer.
- Brand dismissed the question as irrelevant, claiming the Bible was for personal comfort and his faith was too private to discuss.
- Morgan called out the contradiction of Brand publicizing his faith yet refusing to detail it, sparking mutual accusations of disrespect and evasion.
- The interview ended with Brand refusing to answer again and walking off set.
In this OUT OF ORDER clip, actor Paul Walter Hauser watches scenes from his most unsettling performance and shares his honest reactions. He breaks down what made the role so challenging and how it affected him off-camera.
- Paul Walter Hauser found the autopsy/dissection scenes in Black Bird (playing Larry Hall) more disturbing than any stunt work, requiring six hours of prosthetics daily over a three-day shoot.
- Director Mimi Leder used sitcom reruns between takes to keep the set's mood light during the dark material.
- Hauser prepared by studying real criminal confession footage to nail Hall's flat, monotone delivery.
- After wrapping, he relied on his own therapist (not the on-set counselor) for a 90-minute decompression session involving painting, mentally walking through the set, and playing basketball to "get the gore out."
Andrew Callaghan sits down with rapper Afroman to discuss his breakout hit “Because I Got High,” the financial and personal challenges that followed, and the creative drive behind his new work. They cover touring life, fan support, addiction recovery, and how he’s reshaping his sound.
- Afroman made only a few thousand dollars from "Because I Got High" despite it going platinum, due to a bad label contract signed without a lawyer
- He lost control of his masters and streaming royalties were misdirected to the wrong bank account
- He's rebuilding independently: two indie albums this year (including "King of Rollers") on his own label, plus a 20-city small-venue tour to keep merch profits
- He launched an online collective offering beat leases and guest-spot fees for up-and-coming rappers