Email accessibility is crucial for ensuring that all users, including those with disabilities, can effectively engage with content. Implementing best practices for accessible email design can enhance user experience and compliance with accessibility standards. Key considerations include proper use of HTML, alt text for images, and clear, concise language.

Olivia King has designed Inclusive Sans, a customized typeface for Penguin Books that emphasizes accessibility and readability. Drawing inspiration from Penguin’s archives, the typeface combines historical elements with a contemporary feel, aiming to enhance the inclusivity of the brand and make reading more accessible for everyone.

The article discusses strategies and best practices for recruiting talent in the design industry. It covers the importance of creating an inclusive hiring process and leveraging diverse platforms to connect with prospective candidates. Insights on evaluating design portfolios and fostering a positive candidate experience are also highlighted.

Inclusive typography emphasizes the importance of designing text that is accessible to all users, including those with visual impairments or disabilities. It advocates for clear typefaces, appropriate color contrasts, and flexible font sizes to enhance readability and user experience. The approach aims to create a more equitable digital landscape by ensuring that typography serves a diverse audience effectively.

Figma Sites, a new web publishing tool, prioritizes speed and aesthetics over accessibility, leaving users to navigate critical features related to web content inclusivity on their own. Despite its potential, the tool lacks essential accessibility considerations, such as semantic HTML and adequate tagging, which undermines its usability for all users. The author expresses disappointment that Figma's focus on rapid production neglects the ethical responsibility of creating accessible web experiences.

Minimalist design, often praised for its simplicity and clarity, may actually perpetuate cultural exclusion and reinforce dominant values, leading to a subtle form of oppression. The article critiques the notion of neutrality in design and advocates for a more inclusive approach that recognizes diverse aesthetic traditions and encourages complexity over reduction. Embracing pluralism in design can foster greater accessibility and understanding across different cultural contexts.